‘Sinister’: How Sound Changes the Audience’s Role

sinister

A few weeks back, I checked out Sinister, a horror film with Ethan Hawke that inevitably is a member of the “creepy children” genre that’s become especially popular lately, but has always been popular on the greater horror landscape.

While the movie itself is intriguing without ever being especially captivating — I kind of tire of horror movies in which there seems to be no real danger, other than drawing the attention of spooky entities — it does some very cool things with sound throughout. It’s that use of sound more than anything else that drives both the surreal nature of the story and presentation, and the oppressive atmosphere of the movie.

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