I’m fascinated by this Twitter stuff.
Tonight Nick Hurwitch and I worked pretty extensively on the “Wrath of the Damned” multi-author Twitter story, which consists of an on-going short story created by whoever happens to sign on and add to it. Caveat: We don’t tell each other what we’re doing until it’s up. Therefore, the story goes all over the place in a really organic, interesting way. (That’s @wrathofdamned if you’re interested.)
It’s a different sort of writing, that’s for damn sure. For one, the 140-character limit means you get right to the point. No screwing around. It minces things like description and complete sentences, but it also means a really pure story — find the best way to convey your thought or abandon it.
And not knowing what the other authors are going to contribute is extremely interesting because it means making up a new story at pretty much every turn. I had more than one good idea for what the story would become at key moments. Then Nick stepped in. Now we have something wholly new — like a dead main character. It’s really quite exhilarating, from a writing standpoint.
Just wandering around reading Twitter is a lesson for a writer, though, really. Snapshots of people’s days, of their lives, of their thoughts — you get quite a bit of information. It’s also a good way to see what is not interesting, at all. It’s almost better to follow boring people than interesting ones. I’ve learned some new stuff about authenticity, to be sure.
It’s kind of stark when you see reality condensed into tiny bites, especially when you read something profound. Fabricating that experience makes it all the sweeter once you’ve found the real thing.
Oh, also, I can get tidbits from Oprah.