5 Social Media Dont’s for Writers

writing

Hey, you’re a writer now. You know what that means? It means that a big part of your job every day is social media-ing, in hopes that anyone anywhere might actually read your goddamn book, story, article or whatever. If you do your job right, you might get some traction. Most likely, no one will read it, but you might get a few “likes.”

That’s okay, I’ve decided. Having hammered away at social media for more than a year now in a more or less official capacity on behalf of So You Created a Wormhole, I feel like Nick and I have carved out an incredibly modest divot into which we fit neatly. I’ve also realized that the vast majority of this s–t is in no way worth the time, money or effort.

I can’t speak from anything but my own experience when it comes to any of this stuff. And I can’t say that I’ve been hugely successful. But I do know what things not to do when other writers on various social networking platforms do them, and if they bother me — a writer who seeks out and pays attention to other writers — I’m almost positive they bother other people too. So here’s the best I can do in terms of social networking advice: a list of s–t to avoid (mostly because I dislike it).

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‘Mama’ is a Deeper, Gentler Kind of Twisted Monster

mama

Warning: Spoilers for the film Mama herein, as well as Sinister and maybe Paranormal Activity. I might spoil nine or 10 other movies just because I’m on a role.

Mama, the recently released, Guillermo del Toro-produced horror movie about two feral kids who are rediscovered and brought back to society, certainly has a few missteps built in. The way it handles its monster, however, largely isn’t one of them.

One of the things that most bothers me about many monster movies is the lack of said creature’s ability to actually become menacing.

Much too often, ghosts, demons and other creatures are used in service of Being Ominous. You know — they pop up now and again, or a character turns and what was previously hidden turns out to be hiding something awful. And many times in horror movies, the character will cry out and then blink and the thing will be gone.

That’s dumb. What’s more, it’s irritating.

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X-Surface and the Mess That is Online Journalism

xbox 720

Today, an anonymous guy “leaked” information about Microsoft’s expected upcoming new Xbox console. He did this by writing a long, involved email, in which he made up a lot of information — namely specs and other details that would make the leak seem legitimate. It’s obvious the guy did a lot of research.

Then he sent the email to several websites, posing as an anonymous guy from Microsoft. Some sites picked up the information, and then the information began to circulate as it often does with tech and gaming news. It got picked up a fair amount (here it is on Yahoo! News), although many big gaming sites — VG247, Kotaku and (humbly included) Game Front — didn’t publish it.

You can read the full account of what the guy did and what he thinks of this industry here. He takes it as proof of a failure of games/tech journalism. In a very big way, it is that.

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Sorry, You Can’t Have a Pink Lightsaber

pink lightsaber

Something kind of remarkable happened last week in a completely not-that-big-of-a-deal way.

The video game Star Wars: The Old Republic — a giant, massively multiplayer online game (think World of Warcraft) set in the Star Wars universe — introduced “same-gender romance” options for players in its latest content expansion.

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Writing Kids: Try NOT Making Them Into Horrific Hellspawn

mei totoro

I’m continually flabbergasted by the way writers portray children, particularly on TV and in movies, particularly if they are teenagers, particularly particularly if they are teenage girls. It’s like these people have no idea what it was like to be a tinier, dumber version of themselves and so just opt for “most annoying creature I can devise” as a strategy for writing young people.

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